![]() “To get the sort of result our commercials clients expected, we were constantly pushing material to and fro. “Of course, it was frustrating to grade a sequence then drop the VFX on top,” Ben Turner reflected on the way post traditionally works. We spoke to London-based VFX supervisor Ben Turner and Colourist Dave Ludlam to find out how this innovative workflow improves their productivity and quality. ![]() This allows its VFX artists to see the latest colour grade on background plates and live action shots in context so that they can finesse the CGI to fit naturally, with no back and forth to the colour suite to render out new versions of shots. Internationally-renowned visual effects and content creation studio The Mill has recently invested in a number of BLG for Flame licences from FilmLight. ![]() ![]() Case Studies The Mill brings VFX and colour into a new level
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